Inside No. 9 Stage/Fright at Wyndham’s Theatre: part smart reinvention and part lazy cash-in

Inside No. 9 Stage/Fright at Wyndham’s Theatre: part smart reinvention and part lazy cash-in

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Inside No. 9 Stage/Fright at Wyndham’s Theatre: part smart reinvention and part lazy cash-in
Author: Nick Curtis
Published: Jan, 29 2025 22:00

This dark and often bloody comedy by Steve Pemberton and Reece Shearsmith inspired by their decade-long anthology TV series is a mix of the intelligent and the obvious – part smart reinvention and part lazy cash-in. There’s an undeniable thrill at seeing the duo –also formerly two-fourths of The League of Gentlemen – in the flesh, riffing like the old-school double-acts they idolise, and channeling their parallel love of horror into IRL jump scares.

 [Steve Pemberton in Inside No.9 Stage/Fright]
Image Credit: The Standard [Steve Pemberton in Inside No.9 Stage/Fright]

But there’s an over-reliance on rehashed TV material, metatheatrical jokes, and pop-culture references that will be baffling to anyone under 50. Oh well, most of the run has sold out already. Ker-ching. Things look promising at first. The duo initially turn their sharp-eyed nerdery towards the theatre world, blending together stories of Grand Guignol excess and haunted playhouses with clever sideswipes at contemporary shows, from the star casting and cheap thrills of 2:22 a Ghost Story to the video walkabouts that have become commonplace since Sunset Boulevard. “You can’t walk down Shaftesbury Avenue without bumping into some c*** with a camcorder,” grumbles Pemberton.

Image Credit: The Standard

The best in-joke is the first: the curtain opens on a bank of theatre seats facing us, where Pemberton’s noisy character and two others indulge in breaches of theatrical etiquette that steadily drive Shearsmith’s peevish fellow punter into a murderous fury.

 [Bhav Joshi, Steve Pemberton, Miranda Heennessy, Anna Francolini. Credit Marc Brenner]
Image Credit: The Standard [Bhav Joshi, Steve Pemberton, Miranda Heennessy, Anna Francolini. Credit Marc Brenner]

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