Mufasa review: Nepo baby Blue Ivy's debut film is dragged down by forgettable songs and tiresome banter, writes BRIAN VINER

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Mufasa review: Nepo baby Blue Ivy's debut film is dragged down by forgettable songs and tiresome banter, writes BRIAN VINER
Published: Dec, 17 2024 17:05

Rating:. Amazingly, three decades have passed since we first set eyes on The Lion King – the joyous animated musical which reminded us that Disney could still create spellbinding cinematic magic after a lacklustre few years. My children, all born in the 1990s, grew up knowing the words to those Tim Rice/Elton John songs like catechisms. For them, the fruity, baritone menace of Jeremy Irons as Scar defined villainy just as Betty Lou Gerson’s Cruella De Vil, from Disney’s One Hundred and One Dalmatians (1961), had for my generation. Meanwhile, Mufasa (James Earl Jones) was a byword for valour.

 [Here we see wise old mandrill Rafiki (John Kani) telling the stirring life story of Simba’s late father, Mufasa, to his wide-eyed granddaughter, Kiara, voiced by Blue Ivy Carter (pictured)]
Image Credit: Mail Online [Here we see wise old mandrill Rafiki (John Kani) telling the stirring life story of Simba’s late father, Mufasa, to his wide-eyed granddaughter, Kiara, voiced by Blue Ivy Carter (pictured)]

Those memories of The Lion King were so precious that my children baulked at the idea of seeing the heavily digitalised 2019 remake. Even then, I assured them that it was fun with a hilarious rendition of Hakuna Matata, the song deployed by the meerkat-warthog double-act Timon and Pumbaa to help princely cub Simba forget his worries.

 [Disney shows characters Kiara, voiced by Blue Ivy, left, and Simba, voiced by Donald Glover]
Image Credit: Mail Online [Disney shows characters Kiara, voiced by Blue Ivy, left, and Simba, voiced by Donald Glover]

But they would be right to swerve this overblown sequel. Mufasa: The Lion King (dedicated to Jones, who died in September) strains with every sinew to make us feel the love tonight - to paraphrase one of the original song titles. It is impressive and spectacular on the eye, with all those computerised bells and whistles bringing the African savannah to vibrant, exhilarating life. Yet the film, directed by Barry Jenkins (who made the Oscar-festooned Moonlight in 2016), is touched with a spot of leonine laryngitis. Hard as it tries, it never quite roars.

 [The film does its job. It’s a perfectly safe bet for a family outing to the pictures these Christmas holidays. But it’s not as good as the 2019 movie or a whisker on the original]
Image Credit: Mail Online [The film does its job. It’s a perfectly safe bet for a family outing to the pictures these Christmas holidays. But it’s not as good as the 2019 movie or a whisker on the original]

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