PATRICK MARMION theatre review: A tale of two Twelfth Nights... but which one's top?
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Twelfth Night (Royal Shakespeare Theatre, Stratford-upon-Avon). Rating:. Verdict: Clowning glory. Twelfth Night (Orange Tree Theatre, Richmond). Verdict: Ravishing treat. Now the 12 days of Christmas are upon us, who comes out on top in two festive stagings of Shakespeare’s midwinter comedy?.
In Stratford, we have a full-scale RSC revival starring All Creatures Great And Small’s Siegfried Farnon (also known as Samuel West). And in Richmond we have a gorgeously intimate production with veterans including Jane Asher, Oliver Ford Davies and Clive Francis.
The RSC production majors on polishing up the play’s antique comedy, with Michael Grady-Hall turning the fool, Feste, into a circus clown. He completely steals the show, telling the story of shipwrecked twin, Viola, who disguises herself as a man to become a go-between for the Duke of Illyria — only to find that the Duke’s beloved Lady Olivia falls for her instead. West is perfectly snooty as Lady Olivia’s haughty manservant Malvolio, affecting an officious nasally twang.
He pushes all the right buttons when he’s tricked into wooing Freema Agyeman’s horrified Olivia. But whether you find him funny depends on how you feel about middle-aged men wearing bondage gear below the waist. It wasn’t for me. The RSC production majors on polishing up the play’s antique comedy, with Michael Grady-Hall turning the fool, Feste, into a circus clown, writes Patrick Marmion.